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Write Like a Modernist
Over the course of the next several days, you will complete a writing assignment. In the assignment, you
will demonstrate your understanding of the tenets of modernist literature by rewriting a Romantic
poem in a way that incorporates typically modernist qualities in terms of language, style, literary
elements, and themes. The assignment is broken down into four parts.
Part 1: Choose a Romantic Poem.
Romantic literature champions the beauty of the world and the inherent goodness of human beings, and
Romantic verse is highly structured and deeply traditional. Modernism frequently defines itself as a
reaction against and a rejection of romanticism. Modernist poets viewed Romantic poetry as a remnant
of the nineteenth century. Modernists did not think that writing as the Romantics did in the 1800s could
effectively capture their twentieth-century world or their experiences in that world.
Begin this assignment by choosing a Romantic poem from the nineteenth century that you intend to
rewrite in a way that incorporates typically modernist qualities.
Part 2: Briefly Explain the Romantic Poem You Chose
In a single paragraph, describe the Romantic poem that you selected. Focus on the language, style,
literary elements, and themes of the work. This step of the process is important because these are the
aspects of the work that your modernist rewrite of it will change. Here, as an example, is a brief
explanation of Wordsworth’s “I Wandered Lonely as a Cloud”:
Most of Wordsworth’s poem describes how a “crowd” of daffodils near a lake looked as they fluttered in
the breeze. This poem uses formal language, has a fixed rhyme scheme, and employs an even meter.
The speaker is very closely linked to the poet, and neither the voice nor the perspective in the piece ever
shifts. The work contains a number of similes—one compares the speaker to a lonely cloud, another
compares the daffodils to stars—and the flowers are personified to make the descriptions of them more
vivid. Thematically speaking, the poem is about how, even long after having seen the flowers, the
speaker feels comforted and happy whenever he thinks of their beauty.
Part 3: Do a Modernist Rewrite of the Romantic Poem You Chose
Begin your rewrite. To do so, imagine yourself as a poet in the early twentieth century, and imagine your
rewrite as an attempt to update the outdated elements of the nineteenth-century work you selected.
Remember that modernist poems
Capture the cynicism and disappointment many people felt toward outdated nineteenth-century ideas
Focus on the complexities of modern life
Highlight the alienation of the individual in the modern world
Break with past literary traditions and styles
Employ references to diverse cultures, belief systems, and histories
Use experimental language and techniques, such as drawing a distinct line between the poet and the
speaker and writing from multiple perspectives and in different voices
Your rewrite must incorporate at least three of the six listed characteristics of modernism. Here is an
example of a modernist rewrite of the first stanza of Wordsworth’s “I Wandered Lonely as a Cloud”:
Wordsworth’s First Stanza
I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
First Stanza of a Modernist Rewrite of Wordsworth
I stood coldly alone, like a World War I flying ace
Who cruises over the shells of bombed-out towns.
As the black fog cleared, I saw a building,
Ten thousand crumblecracking bricks;
Beside a forsaken hospital, over a glass-strewn street,
Sagging depressed during Tefnut’s shower.
Part 4: Briefly Explain Your Modernist Rewrite
In a response of at least two paragraphs, provide an explanation of the steps you took to rewrite the
Romantic poem you selected. Your explanation should point out at least three typically modernist
qualities in your work with regard to elements such as language, style, literary elements, and themes.
Here, as an example, is a brief explanation of the modernist rewrite of the first stanza of Wordsworth’s
“I Wandered Lonely as a Cloud”:
In the first stanza of my rewrite, I tried to drastically change the mood of the poem. I did so by first
changing the opening simile, linking the speaker (who is most certainly distinct from myself as the poet)
to a World War I flying ace looking down on an empty town devastated by war. This image not only calls
to mind the destruction that people in the early twentieth century witnessed, but also the loneliness felt
by the individual when witnessing such devastation. I introduced ambiguity by not identifying the
nationality of the pilot to whom the speaker compares himself: He may be a man seeing the destruction
of his own town, or he may be one of the men who brought destruction on the town during battle.
Then I decided to change the daffodils—a symbol of the beauty of the natural world in Wordsworth’s
poem—to a crumbling building on an abandoned and ugly street. I thought these images helped convey
a sense of loss. I used the word crumblecracking—an invented term—to call to mind how the broken
bricks of the building look. This type of experimentation with language is typical of modernist poetry.
Finally, I used the word forsaken not only because it suggests abandonment, but also because it calls to
mind the last words of Jesus on the cross. This allusion then quickly blends into the reference to a
mythological figure, Tefnut, the Egyptian goddess of rain and fertility. This allusion hints at the possibility
of remaking a new world out of the fragments of the old, yet the “sagging” hospital attests to how hard
such a restoration would be. Thematically, I was trying to depict the loneliness and the alienation of the
speaker in this decrepit world.
Now begin your assignment.

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